In my opinion, it’s more important to start with these
details than a mapped out idea of your plot or even a premise because the
nature and emotional need(s) of your character will help the story come
together organically. If you try to begin with a plot instead, you’ll end up
trying to force your character to do or say things that might not be
appropriate, and you’ll most likely end up with a stilted, contrived story with
a character who feels very artificial to the reader.
So, once you’ve profiled your character and, most
importantly, figured out what his or her perceived and actual needs are, you’re
ready for Step Two: Writing the First Chapter. My chapter prompts are going to
be much sparser than the sentence-by-sentence prompts from Hannah Tinti’s class
because it would be far more difficult to work your way through a complete
novella or novel one sentence at a time. Plus, I found that by about halfway
through the week in Hannah Tinti’s class, I was going well beyond the
requirements of the prompts. They were a nice starting point, but if I had
actually held myself back to stick to them religiously, I wouldn’t have ended
up with a draft as far along as I did.
So instead of the one sentence at a time approach, I’m
creating minimalistic prompts that will allow you to go at your own pace and
let the story guide you. The prompts offer overall guidelines for the chapter, and
my hope is that each chapter prompt will be enough to get you going on the
chapter and push you to keep going from one chapter to the next. However, if
anyone does get stuck at any point, please feel free to leave a comment on the
respective prompt you need help with. I’m happy to offer more detailed,
specific prompts and requirements if it will help.
Okay, enough blabber. Here’s Step Two:
All
Tracks, Step 2:
Write a chapter introducing your
character in his/her world. This chapter will function as the set-up of the
overall story arc.
Requirements:
1. The
chapter must be 10-20 pages long.
2. The
chapter must introduce the setting.
a. In
the first three pages of the chapter, you must provide details from at least three
of the five senses.
3. The
chapter must get across the following details:
a. The
character’s name.
b. The
character’s starting point (i.e. the character as he or she exists prior to the
change or lack of change that will occur in the story).
c. The
character’s perceived need.
d. The
character’s actual need.
4. The
chapter must include a complete story arc:
a. Set-up
(2-3 pages)
b. Inciting
Incident (1-2 pages)
c. Escalation
(5-10 pages)
d. Climax
(1-2 pages)
e. Resolution/Conclusive
Lack of Resolution (1-2 pages)
5. The
story arc in this chapter should represent the typical ups and downs of this
character’s life.
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