How do I
know I’m really going to stick with it this time? Because this time, it felt
really good, like a relief. It felt right. This time, I decided, I really am
ready to move on.
And not
only that, but this is the first time I’ve looked at the novel and thought, Eh, it’s not really that great. I got to
this point because I was working on yet another revision of the novel, with the
intention of entering it into Fence’s
Modern Prose contest. This revision was sort of a combination of my most recent
draft and some earlier drafts, and I do think the result was better than what I’d
been sending around. When I had been cutting things in previous revisions, I
actually cut some scenes that I now think are pretty integral to the reader’s
understanding of certain characters, so with those scenes woven back into the
story, everything felt a lot stronger.
But as I
was working on it, I started really analyzing how well some of the components
of the novel are working. There are some great things in this story, I think.
Some of the writing is really strong, and some of the moments feel perfect. But
there are some really serious problems with a couple of the characters, leaving
those characters feeling very flat on the page. There are points that lag, too,
and I almost feel like it’s a novella that’s been stretched in to an entire
novel.
In short, I
don’t think I want it to get
published. I don’t think it reflects what I’m capable of. I can do better. I’m
a much better writer now than I was when I began this novel. My first drafts,
now, need less work than this nth draft of my thesis would still need, and I
think it would be a better use of my time to work on a new first draft of a new
novel.
Which is
exactly what I’m doing right now. And the truth is, I’m having way more fun and
am way more interested in this new novel than I am in reliving for the millionth
time the same story from my thesis. I’m just so sick of Timothy Bannister and
his dead father—there, I said it. I don’t want to work on this novel anymore. I
don’t want to send it out. I don’t want it to get published.
But that
doesn’t mean that those few years I spent working on it were a waste. I learned
a lot about how to write a novel from this experience. I made a lot of mistakes
and learned how to fix them, and I think my next novel will be much stronger
from draft one as a result. Maybe the next one will be a practice novel too,
who knows? But I do know that this last one definitely was, and finally—FINALLY—I’m
okay with accepting it and moving on.
Hey Ashley!
ReplyDeleteI remember going to your thesis defense and hearing you talk about this novel, and I loved the images, the storyline, and the general feel of the novel. I imagine it must be really hard to put a novel in the trunk and latch it in. As someone who is just starting to write longer works, it is really helpful for me to see the different paths novels take, and to know that all of those paths are equally worthwhile for the writer. I'm really looking forward to reading your new novel. :)
Thanks, Jenni!
Delete